BEING A READER

My life, fate and Vasily Grossman’s ‘Life and Fate’

Vasily Grossman’s novel with the all-encompassing title Life and Fate is number 1 and 5 on the Guardian bestseller list this week, if I can believe the pop-up that appeared on my screen as I was web surfing. Apart from the oddity of the book appearing twice, what intrigues me is: why now?I’ve had the book on my shelf for 25 years.*

Back in the 1980s, I had a deep love of fat Russian books, along with a curious infatuation with fat Russian women. (Something about those East Block javelin throwers…) My love affair with Russian writing started with Dostoevsky and continued through to Sholokhov and Solzhenitsyn. It ended with Grossman’s book.

It’s not that it’s a bad book, though almost all writers suffer by comparison to Dostoevsky. The story behind its publication is fascinating in itself – how an incomplete version of the banned manuscript was smuggled out to the West, to be published many years after the author’s death.

Of the book itself, I remember only disjointed scenes, most notably the one where a German camp guard drops his rifle and a Jew on the way to the gas chamber picks it up to give it back to him. Grossman makes the point that all the evil in the world doesn’t have enough darkness to kill the flame of one good deed.

I suspect I had enjoyed the book. After all, I got all the way to page 646. I know, because I had left a bookmark on that page in April 1987, when my reading was interrupted by life and fate. (Actually, it was the emotional upheaval around ordinary divorce, but “life and fate” sounds so much more profound.)

Perhaps one day I’ll ask a psychologist why my love for fat Russion books ended here. I might even be tempted to talk about those javelin throwers.

* Just discovered the book is being serialized on a UK radio station. Hence the surge in sales.

BEING A READER

Reading ‘The Roots of Heaven’ and discovering… the roots of heaven

The book trade seems to be driven by the concept of the bestseller – that at a given time, a given book will connect with a wide audience. What interests me more is the phenomenon where a specific book connects with an individual in a way that perhaps no other book will. These are the moments when a book enters your life like divine intervention, where it speaks to you in a profound way.

It is even stranger when a book does so at a particular time, when that same book at another time did not. I am now rereading a book I had read five to ten years ago. At the time, I found it a bit frustrating and disappointing. Now I’m reading those very same words and I am awestruck.

When I read Romain Gary’s The Roots of Heaven originally, I had done so after happening on a comment by Colin Wilson, who was once famous and influential for having written a book called The Outsider. (Look it up, read it.) Wilson said The Roots of Heaven was one of the classic novels of the Twentieth Century. I had high expectations, but the book just seemed unnecessarily jumbled to me, ruining the drama of the story by the constantly shifting perspectives. Somehow the basic structural device of the book had passed me by.

An interesting fact about my original reading of the book is that I had found it second hand, in a mass market paperback edition. The type was tiny and the book physically tatty. I had assumed that such things don’t matter, that it’s all about the string of words and the meaning they carry. But over time, I had begun to wonder about this. So for this reading I got hold of a different copy of the book.

I have, since that original reading, read a fair number of books by Romain Gary. Some I loved, some intrigued me, some left me cold and at least one I could not finish. Unlike many writers (and, I suspect, most commercially successful ones) Gary avoided writing the same book over and over again, leaving behind a somewhat spotty bibliography, though one where the highs are Everest-like. Despite their unevenness, a very distinctive sensibility informs all his work.

Whether the very different reading experience I’m having now is a result of having a physically more attractive book in my hands or whether it is because of my deeper appreciation of Gary’s philosophical slant, I cannot say. Perhaps I had undergone some significant psychological development in the meantime I cannot yet identify. Whichever it is, reading The Roots of Heaven now is nothing like it was before.

The book no longer seems confused to me. The entire story is framed via retellings, different bit players in the events relating their experiences of the central events to other bit players. It’s a bit like those David Hockney snapshot collages. You get glimpses of events from different angles – you see things from everyone’s point of view, except those of the main protagonist, Morel.

He’s a man who seemingly defected from his own species, he has gone over to the elephants, leading a crazy campaign to outlaw elephant hunting. Dogs are no longer big enough to be our companions, he claims, we need something bigger, like elephants, those magnificent symbols of liberty. This sets of a dramatic chain of events in French colonial Chad, a decade or so after World War Two.

Apart from its other qualities, The Roots of Heaven is a very Green book in that it has conservation and man’s destruction of nature at its core, at a time when such issues could still be argued without the blinding emotional charge it has acquired over the last 50 years.

I’m reading The Roots of Heaven exceedingly slowly. Because on every page, I find descriptions, characters and ideas that give me pause. I find myself with the urge to write down quotes from the book and am stopped only by innate laziness and the realisation that I’ll end up with a manuscript about a quarter as long as the whole book.

Maybe you’ll struggle to find this book now. It has long ceased to be a bestseller. And even if you find it, you may not connect with it. Or it may be the wrong time for you, as it used to be for me. But, god, when that connection takes place, reading becomes the root of heaven.

BEING A READER, Crime books

Luiz Alfredo Garcia-Roza – the cop from Ipanema goes walking

Inspector Espinosa, hero of the crime series by Luiz Alfredo Garcia-Roza, is a reader of crime stories himself.  His flat in Copacabana is overflowing with books. You get the feeling this is where he wants to spend all his time, but… there’s crime on the streets and he has to solve it. On foot, mainly.

As a real cop, Espinosa would be unusual. As a crime fiction hero, not so much. He’s a thinking man, but not averse to action and the odd bit of bed gymnastics. The kind of hero a professor of psychology or philosophy might dream up in his leisure hours. (Which  reflects Garcia-Roza’s academic career in those fields before he turned to writing at the age of 60.)

The appeal of the Inspector Espinosa series lies in the way the reader is aware of the depth of thought behind it, without those deep thoughts getting in the way of the entertainment.

After rushing through his first novels as fast as I could find them, Pursuitbroke my momentum exactly because in that book the balance tilted too far into psychology. After ploughing through it with a heavy heart, I actually stopped looking for Garcia-Roza’s books. However, nostalgia for those early books got the better of me this week and I tried his latest, Alone in the Crowd… and it was good!

I now have the exciting prospect of hunting out Blackout and seeing if that’s up to his usual standard as well.

Apart from tightly plotted, psychologically motivated crime stories, you get the additional bonus of virtual visits to what must be a fascinating environment – the inner suburbs of Rio de Janeiro. The action takes place at Ipanema beach and the Copa, Copabana. (Which is much more fun if you can keep Barry Manilow at bay.)

Read them in order, starting with The Silence of the Rain, and you have a good 12 hours or so of low-cost travel to an exciting destination where everyone goes ah!